MOTOGP TV SOFTWARE
MOTOGP TV TV

Four LCUs are connected to a Dallis Frame in the MCR via a V_link4. Beyond that Dorna is experimenting with including the sound of the knees rubbing the tarmac into the close-ups and super slow-motion images – all in 5.1 surround sound.Īlso for the commentator units Dorna has opted for Lawo Commentary Units (LCU). While in the past it was very complex to work with many audio signals, now in IP Dorna could open a new audio universe: Dorna has added sound movement to all graphic effects and is now able to add reverberation effects to bikes going faster than 300km/h.

Dorna has started this switchover by migrating the analogue audio infrastructure to IP. For this innovative step Dorna relies on Lawo. The Switch from analogue Audio and SDI to IPĭorna’s most recent project is the transformation of a SDI production infrastructure to an IP production environment. It’s difficult to test something that only exists during the races.” “Tell me how many times we will have somebody fighting to pass for more than one lap? If a rider is alone on the track, it’s a problem, because then we don’t have somebody to watch.

MOTOGP TV TV

This development will take some time, notes Sergi Sendra Director of TV Production at Dorna.

MOTOGP TV SOFTWARE

To optimie use of the 360-degree camera rotation within and separate from the gyroscopic action, Dorna is developing new software that will automate the tracking of other riders, requiring communication between both bikes. Today the coolest, whiz-bang MotoGP on-board is a proprietary 360-degree gyroscopic camera, first prototyped in 2014, and currently riding in an ongoing test phase, usually with the sport’s most beloved celebrity rider Valentino Rossi.

Motogp tv